Revisiting long exposures
The shift showed up bit by bit, then all at once
The shift showed up bit by bit, then all at once
The best frame on the sheet was the one I very nearly did not take. It took me twelve attempts to see the pattern
I print little first, then decide what deserves to be larger. The soft part is hardly ever the hard part; consistency is
The muted part is hardly ever the hard part; consistency is
Somewhere between the harbour and home, the idea finally made sense. I tested the muted version first. It did not last
The best frame on the sheet was the one I very nearly did not take. There is no single right way to approach scanning negatives, but some ways are kinder than others
The best frame on the sheet was the one I very nearly did not take. I print little first, then decide what deserves to be larger